Discover the Magnificent Terracotta Goddesses of West Bengal’s Temples
Explore the rich heritage of intricate terracotta panels adorning the temples of West Bengal, where sacred tales and everyday life blend in an extraordinary display of artistic mastery from the 16th to 19th century CE

Author

DR. SURYA SHEKHAR DAS

About the Author

Ramakrishna Mission was his alma mater during school days. He completed Bachelor of Science and Master of Science from the Department of Botany, University of Kalyani and stood first in the first class in both the occasions. He was awarded Ph.D. in Botany from the University of Kalyani. So far, he has published ten papers in international journals and two in national journals. He has also contributed three chapters in two different books. He authored two articles, one on relation of Hindu mythology with evolutionary biology and the other depicting unique beauty of some terracotta temples of West Bengal, in two different Bengali journals. In 2021, he published the book “Mangroves of Indian Sundarbans: Ecological, Biochemical and Molecular Aspects”. For the last twenty-one years he has been teaching Botany in Bolpur College, West Bengal and presently is an Associate Professor.

Book

Artistry in Clay: Terracotta Goddesses Depicted on Temples of West Bengal

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About the Book

Terracotta temple is one of the most precious jewels in the vibrant cultural heritage of West Bengal. Intricate terracotta panels on the walls of these temples weave sacred tales from mythology, folklore as well as profane narratives of everyday life of both affluent and humble people. The terracotta adornment on these temples is a class apart and probably nowhere in the world has this art form been more artistically displayed. Considering the diversity and quality of the terracotta treasure of West Bengal, I can affirm without any fear of contradiction that only in a few places in India, art lovers would find their souls better rewarded.

In the beginning, the book contains a brief discussion on the earliest Hindu goddesses, origin of the figurative icons of goddesses, the art of terracotta and the theory of rasa, the history of adornment of temple exterior using terracotta artwork in West Bengal, unique external forms of terracotta temples, and diversity of themes in terracotta depictions. Then the origin and course of history of around forty different goddesses, depicted on terracotta temples, have been presented along with literary and archaeological evidence. Overall, it is undeniable that such a strong presence of the feminine voice as we find in the Hindu tradition is wanting in the entire panorama of world religion, from ancient to modern times.

But the real highlight of this book is the photographs of the pertinent terracotta panels clicked by the author from a plethora of temples (mostly from the 17th, 18th and 19th century CE) in different districts of West Bengal, India. Moreover, these photographs are supplemented with relevant specimens in media other than terracotta. It includes stone, metal, wood, painting (both mural and miniature) etc. Overall, this book is embellished with around 280 illustrations, many of which are being published for the first time.

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